Can a track be both symphonic and dirty at the same time? I've added a ton of grit to this track which is at times dominated by strings. It's been a great exercise in destroying the subtlety of some of the orchestral libraries I have.
The concept of “ROTOR Rewired” is damn crazy and very original. Digital Geist reveals great skills in composing soundtrack music, which totally fits with a sci-fi theme. There are several well-crafted tracks on this work, which confirm the electronic avant-garde approach of the musician.
One of the things about beginning anything - electronic music production included - is that it just seems so daunting. It's a new skill, just like any skill and it requires attention if you want to get better at it. Thinking about it is not enough.